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Italian Neoclassic Wall Plaque of Gilt Urn
ItalianNeo-classicCleared Art, Rugs/Textile, Accessories/Décor/Bric-a-BracWall plaque, Tapestries/Wall Hangings, Tchotchkes/Ornaments
Newel Warehouse
32-00 Skillman Ave
Long Island City NY - 11101
(212) 758-1970
Italian Neoclassic Wall Plaque of Gilt Urn
Newel Warehouse
32-00 Skillman Ave
Long Island City NY - 11101
(212) 758-1970
Cleared Art, Rugs/Textile, Accessories/Décor/Bric-a-BracWall plaque, Tapestries/Wall Hangings, Tchotchkes/Ornaments
Neo-classic
Neo-classic refers to the second revival of classic design for interior decoration in the 18th century. This style was inspired by excavations of Pompeii and Herculaneum that begun in 1738. Common motifs include dolphins, lyres, and urns.
Capital
The decorative crowning motif atop a column or pilaster shaft, usually composed of moldings and ornament. The shape of the capital helps determine the characteristic features within the three classical architectural orders. The capital takes a convex shapes in the Doric order; concave shape in the inverted bell of the Corinthian order; or out scrolled shape in the Ionic order.
Neo-classic
Neo-classic refers to the second revival of classic design for interior decoration in the 18th century. This style was inspired by excavations of Pompeii and Herculaneum that begun in 1738. Common motifs include dolphins, lyres, and urns.
Capital
The decorative crowning motif atop a column or pilaster shaft, usually composed of moldings and ornament. The shape of the capital helps determine the characteristic features within the three classical architectural orders. The capital takes a convex shapes in the Doric order; concave shape in the inverted bell of the Corinthian order; or out scrolled shape in the Ionic order.
Neo-classic
Neo-classic refers to the second revival of classic design for interior decoration in the 18th century. This style was inspired by excavations of Pompeii and Herculaneum that begun in 1738. Common motifs include dolphins, lyres, and urns.
Capital
The decorative crowning motif atop a column or pilaster shaft, usually composed of moldings and ornament. The shape of the capital helps determine the characteristic features within the three classical architectural orders. The capital takes a convex shapes in the Doric order; concave shape in the inverted bell of the Corinthian order; or out scrolled shape in the Ionic order.