Tony Selmersheim French Art Nouveau Two-Tier Clover Pedestal Table
$13,800 (USD)
Available Qty: 1
Item #: NWL6951
French Art Nouveau two-tier pedestal table with a lower shelf in a clover shape supporting a circular upper tier, connected by carved supports and resting on a carved 4 leg pedestal base. (TONY SELMERSHEIM).
Ships from:
Newel Gallery
306 East 61st Street, 3rd Floor
NY - 10065
Taxes may apply.
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Tony Selmersheim French Art Nouveau Two-Tier Clover Pedestal Table
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Tony Selmersheim French Art Nouveau Two-Tier Clover Pedestal Table
French Art Nouveau two-tier pedestal table with a lower shelf in a clover shape supporting a circular upper tier, connected by carved supports and resting on a carved 4 leg pedestal base. (TONY SELMERSHEIM)
DETAILS
Sku:
NWL6951
Ships From:
New York, NY
Creator:
Tony Selmersheim
DIMENSIONS (INCHES)
Width:
22.0"
Height:
39.8"
Depth :
18.0"
INFO
Style:
Art Nouveau
Materials & Techniques:
Carved, wood
Category:
Tables, Pedestals/Display
Good; Wear consistent with age and use
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About Tony Selmersheim
Tony Selmersheim (1871-1971) was a renowned French furniture and decorative arts designer, known for his innovative and avant-garde approach to design. Born on March 14, 1871, in Paris, France, Selmersheim had a profound impact on the Art Nouveau movement and left an enduring legacy in the world of furniture and decorative arts.
Selmersheim received his formal education at the École des Beaux-Arts in Paris, where he studied architecture. This background in architecture greatly influenced his design philosophy, as he sought to create furniture that seamlessly blended form and function. Selmersheim believed that furniture should not only be aesthetically pleasing but also practical and comfortable.
In the early 1900s, Selmersheim became a prominent figure in the Read Full Bio
Tony Selmersheim (1871-1971) was a renowned French furniture and decorative arts designer, known for his innovative and avant-garde approach to design. Born on March 14, 1871, in Paris, France, Selmersheim had a profound impact on the Art Nouveau movement and left an enduring legacy in the world of furniture and decorative arts.
Selmersheim received his formal education at the École des Beaux-Arts in Paris, where he studied architecture. This background in architecture greatly influenced his design philosophy, as he sought to create furniture that seamlessly blended form and function. Selmersheim believed that furniture should not only be aesthetically pleasing but also practical and comfortable.
In the early 1900s, Selmersheim became a prominent figure in the Art Nouveau movement, which was characterized by its organic forms, intricate details, and emphasis on craftsmanship. His designs often featured sinuous lines, floral motifs, and delicate carvings, reflecting the influence of nature on his work. Selmersheim's furniture pieces were highly sought after by the elite of the time, who appreciated his unique and artistic approach to design.
One of Selmersheim's notable contributions to the field of furniture design was his use of new materials and techniques. He experimented with innovative materials such as metal and glass, incorporating them into his furniture designs to create a sense of modernity. Selmersheim's use of these unconventional materials set him apart from his contemporaries and established him as a pioneer in the field.
Selmersheim's furniture designs were not limited to residential spaces; he also created pieces for public buildings and exhibitions. His work was exhibited at various prestigious events, including the 1900 Paris Exposition Universelle, where he showcased his talent and garnered international recognition.
Despite his success during the Art Nouveau period, Selmersheim adapted his style to the changing artistic landscape of the early 20th century. As the Art Deco movement gained popularity, he embraced its geometric forms and streamlined designs. This versatility and ability to evolve with the times allowed Selmersheim to remain relevant and influential throughout his career.
Tony Selmersheim continued to work as a designer well into his later years, and his contributions to the field of furniture and decorative arts were acknowledged with numerous accolades. He passed away on January 13, 1971, leaving behind a rich legacy of innovative and timeless designs that continue to inspire and captivate enthusiasts of furniture and decorative arts to this
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