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Available Qty: 1
Item #: DUF0705
Mid-Century Modern end / side table with a bromorphic top with blond wood veneer, resting on three angled tapered legs with a darker finish. (GILBERT ROHDE FOR HERMAN MILLER).
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Gilbert Rohde for Herman Miller Mid-Century Bromorphic Wooden End / Side Table
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Mid-Century Modern end / side table with a bromorphic top with blond wood veneer, resting on three angled tapered legs with a darker finish. (GILBERT ROHDE FOR HERMAN MILLER)
Sku: DUF0705 Ships From: New York, NY Creator: Gilbert Rohde,Herman Miller
Width: 22.0" Height: 21.0" Depth : 23.0"
Style: Mid-Century Materials & Techniques: Veneer, wood Category: Tables Condition: Losses and chips in veneer, some scratches on tabletop. Good; Wear consistent with age and use
Gilbert Rohde (1894-1944) was an American furniture and industrial designer who made significant contributions to the field of modern furniture and decorative arts. Born on March 20, 1894, in New York City, Rohde's innovative designs and use of new materials revolutionized the furniture industry in the early 20th century. Rohde began his career as an illustrator and graphic designer before shifting his focus to furniture design. He studied at the Art Students League of New York and later attended the Parsons School of Design, where he honed his skills in industrial design. In 1927, he joined the prestigious Herman Miller Furniture Company as their design director. One of Rohde's most notable achievements was his pioneering work in the application of modernist Read Full Bio
Gilbert Rohde (1894-1944) was an American furniture and industrial designer who made significant contributions to the field of modern furniture and decorative arts. Born on March 20, 1894, in New York City, Rohde's innovative designs and use of new materials revolutionized the furniture industry in the early 20th century. Rohde began his career as an illustrator and graphic designer before shifting his focus to furniture design. He studied at the Art Students League of New York and later attended the Parsons School of Design, where he honed his skills in industrial design. In 1927, he joined the prestigious Herman Miller Furniture Company as their design director. One of Rohde's most notable achievements was his pioneering work in the application of modernist principles to furniture design. He embraced the clean lines, simplicity, and functionality of the modernist movement, incorporating these elements into his designs. Rohde's furniture pieces were characterized by their sleek, streamlined forms, innovative use of materials such as chrome, glass, and plastics, and their focus on ergonomics and user comfort. Rohde's designs were not only aesthetically pleasing but also practical and functional. He believed that furniture should adapt to the needs of the user and should be versatile enough to fit into various interior spaces. His design philosophy emphasized the integration of technology, craftsmanship, and mass production techniques to create affordable yet high-quality furniture. During his tenure at Herman Miller, Rohde created numerous iconic furniture pieces, including the "Paldao" line, which featured a combination of wood and metal, and the "Modern Living Room" ensemble, which included modular seating and storage units. His designs were highly influential and set the stage for the development of mid-century modern furniture. In addition to his work in furniture design, Rohde also contributed to the field of interior design. He believed that the furniture should be harmoniously integrated into the overall interior scheme, and he often collaborated with architects to create cohesive living spaces. Tragically, Gilbert Rohde's promising career was cut short when he passed away on June 21, 1944, at the age of 50. However, his impact on the world of furniture and decorative arts continues to be felt to this day. His designs remain highly sought after by collectors and enthusiasts, and his innovative approach to modern furniture design paved the way for future generations of designers. Gilbert Rohde's legacy as a pioneering figure in the field of furniture and decorative arts firmly
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