French Victorian Bronze Dore Box

French Victorian round shaped bronze dore box with festoon design and lady portrait in center
SKU
036649C
Item Location
New York, NY
Dimensions (in)
Height: 4.00"
Diameter: 7.00"
Style
French
Victorian
Color
Gold
Category
Decor-accessories
Accessories/Décor/Bric-a-Brac
Boxes, Baskets
Materials & Techniques
bronze, bronze dore
$2,100 (USD)
In Stock
Quantity:1
SEE IN PERSON
location

Newel Warehouse

32-00 Skillman Ave

Long Island City NY - 11101

phone(212) 758-1970

French Victorian Bronze Dore Box

French Victorian round shaped bronze dore box with festoon design and lady portrait in center
In Stock
$2,100
Quantity:1
SEE IN PERSON
location

Newel Warehouse

32-00 Skillman Ave

Long Island City NY - 11101

phone(212) 758-1970
SKU
036649C
Item Location
New York, NY
Dimensions (in)
Height:
4.0"
Diameter:
7.0"
Style
French
Category
Decor-accessories
Accessories/Décor/Bric-a-Brac
Boxes, Baskets
Color
Gold
Materials & Techniques
bronze, bronze dore

Victorian

Period in English furniture during the reign of Queen Victoria 1837-1901. Consists of a resurrection of many previous periods and revival imitations including: Gothic, Tudor, Elizabethan, Rococo, and Neoclassic style. This period had a focus on dark woods, heavy fabrics, embellishment, engagement with newly developed imitation materials that were facilitated by the Industrial Revolution, and a tendency towards eclecticism.

Bronze doré

A French 18th and 19th Century gilding technique of applying an amalgam of fine, high-carat gold with mercury to copper, brass, or most commonly bronze objects. The bronze is exposed to high heat in a kiln burning off the mercury leaving a thin gold coat behind that is adhered to the metal. Commonly used by the craftsmen, Fondeurs-ciseleurs (founders and finishers), for decorative mounts in furniture, clocks, candelabras, and porcelain. Due to the health hazards of mercury, the technique waned into the late 19th Century and was replaced by electroplating.

Festoon

A festoon is a Renaissance and Neoclassical motif of a wreath or garland hung from two points. In architecture, festoons typically depict flowers, leaves, ribbons, or fruit.

Victorian

Period in English furniture during the reign of Queen Victoria 1837-1901. Consists of a resurrection of many previous periods and revival imitations including: Gothic, Tudor, Elizabethan, Rococo, and Neoclassic style. This period had a focus on dark woods, heavy fabrics, embellishment, engagement with newly developed imitation materials that were facilitated by the Industrial Revolution, and a tendency towards eclecticism.

Bronze doré

A French 18th and 19th Century gilding technique of applying an amalgam of fine, high-carat gold with mercury to copper, brass, or most commonly bronze objects. The bronze is exposed to high heat in a kiln burning off the mercury leaving a thin gold coat behind that is adhered to the metal. Commonly used by the craftsmen, Fondeurs-ciseleurs (founders and finishers), for decorative mounts in furniture, clocks, candelabras, and porcelain. Due to the health hazards of mercury, the technique waned into the late 19th Century and was replaced by electroplating.

Festoon

A festoon is a Renaissance and Neoclassical motif of a wreath or garland hung from two points. In architecture, festoons typically depict flowers, leaves, ribbons, or fruit.

Victorian

Period in English furniture during the reign of Queen Victoria 1837-1901. Consists of a resurrection of many previous periods and revival imitations including: Gothic, Tudor, Elizabethan, Rococo, and Neoclassic style. This period had a focus on dark woods, heavy fabrics, embellishment, engagement with newly developed imitation materials that were facilitated by the Industrial Revolution, and a tendency towards eclecticism.

Bronze doré

A French 18th and 19th Century gilding technique of applying an amalgam of fine, high-carat gold with mercury to copper, brass, or most commonly bronze objects. The bronze is exposed to high heat in a kiln burning off the mercury leaving a thin gold coat behind that is adhered to the metal. Commonly used by the craftsmen, Fondeurs-ciseleurs (founders and finishers), for decorative mounts in furniture, clocks, candelabras, and porcelain. Due to the health hazards of mercury, the technique waned into the late 19th Century and was replaced by electroplating.

Festoon

A festoon is a Renaissance and Neoclassical motif of a wreath or garland hung from two points. In architecture, festoons typically depict flowers, leaves, ribbons, or fruit.

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