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Available Qty: 1
Item #: CON085
French Mid-Century "Celimene" crystal vase with a 10 sided faceted top section above a geometric deep bevel cut square design (signed BACCARAT, designed by Georges Chevalier ).
Print or download a tear-sheet for your project(s).
Ships from: Newel Gallery 306 East 61st Street, 3rd Floor NY - 10065 Taxes may apply. Learn more
See it in PersonCall (212) 758-1970 or Email Us
French Mid-Century Baccarat Cut Crystal Vase
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French Mid-Century "Celimene" crystal vase with a 10 sided faceted top section above a geometric deep bevel cut square design (signed BACCARAT, designed by Georges Chevalier )
Sku: CON085 Ships From: New York, NY Creator: Baccarat
Width: 10.3" Height: 14.8" Depth : 10.3" Diameter : 10.3"
Style: Mid-Century Materials & Techniques: Crystal, faceted Category: Accessories/Décor/Bric-a-Brac
One of the world’s foremost crystal manufacturers, Baccarat has long been emblematic of luxury and exquisite craftsmanship. Starting in the early 19th century, objects produced by the French company — from stemware to chandeliers to brightly colored paperweights — became a staple of noble and wealthy households across Europe and as far afield as India. Along with the purity and quality of their glass, Baccarat crystal makers can boast a remarkable fluency with a range of design styles — from cut-glass neoclassical pieces to sinuously etched Art Nouveau designs. Baccarat began as a kind of industrial development project. In 1764, the Bishop of Metz and other landowners in heavily forested northeastern France persuaded Louis XV to sanction a glassworks in the area — Read Full Bio
One of the world’s foremost crystal manufacturers, Baccarat has long been emblematic of luxury and exquisite craftsmanship. Starting in the early 19th century, objects produced by the French company — from stemware to chandeliers to brightly colored paperweights — became a staple of noble and wealthy households across Europe and as far afield as India. Along with the purity and quality of their glass, Baccarat crystal makers can boast a remarkable fluency with a range of design styles — from cut-glass neoclassical pieces to sinuously etched Art Nouveau designs. Baccarat began as a kind of industrial development project. In 1764, the Bishop of Metz and other landowners in heavily forested northeastern France persuaded Louis XV to sanction a glassworks in the area — timber being a key resource required for the furnaces used in glass production. In its early years the company produced humble products such as window panes and simple drinking vessels. In 1816 a new owner began making crystal, and seven years later Louis XVIII — who had taken the throne after the defeat of Napoleon — gave Baccarat its first royal commission, for tableware. In ensuing years, an estimated one third of the company’s workforce was dedicated to commissions to the Russian imperial court alone. Spurred by the intense competition between global industries in the latter 19th century — fought in public view in the many world expositions of the era — Baccarat elevated its level of artistry by adopting new technologies and creating a rigorous training program. The firm broadened its stylistic range, embracing Asian influences and new engraving methods, and increasing production of its now iconic millefiori paperweights. The designer George Chevalier, who worked for Baccarat for more than five decades beginning in 1916, ushered the company into the realm of modernist design. Discover more of Baccarat's extraordinary works at Newel.com, where elegance and craftsmanship meet the pinnacle of design. Along with the purity and quality of their glass, Baccarat crystal makers can boast a remarkable fluency with a range of design styles — from cut-glass neoclassical pieces to sinuously etched Art Nouveau designs. Baccarat began as a kind of industrial development project. In 1764, the Bishop of Metz and other landowners in heavily forested northeastern France persuaded Louis XV to sanction a glassworks in the area — timber being a key resource required for the furnaces used in glass production. In its early years the company produced humble products such as window panes and simple drinking vessels. In 1816 a new owner began making crystal, and seven years later Louis XVIII — who had taken the throne after the defeat of Napoleon — gave Baccarat its first royal commission, for tableware. In ensuing years, an estimated one third of the company’s workforce was dedicated to commissions to the Russian imperial court alone. Spurred by the intense competition between global industries in the latter 19th century — fought in public view in the many world expositions of the era — Baccarat elevated its level of artistry by adopting new technologies and creating a rigorous training program. The firm broadened its stylistic range, embracing Asian influences and new engraving methods, and increasing production of its now iconic millefiori paperweights. The designer George Chevalier, who worked for Baccarat for more than five decades beginning in 1916, ushered the company into the realm of modernist design.
$30,000
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