Cees Braakman Dutch Post-War Teak Sideboard
$14,000 / Pair (USD)
Available Qty: 1
Item #: DLB158
Dutch Post-War Design teak sideboard supported on black metal legs with 2 pair of doors and 2 pair of drawers (by CEES BRAAKMAN for UMS-Pastoe "Japanese Series"-1958).
Ships from:
Newel Warehouse
32-00 Skillman Ave
Long Island City NY - 11101
Taxes may apply.
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Cees Braakman Dutch Post-War Teak Sideboard
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Cees Braakman Dutch Post-War Teak Sideboard
Dutch Post-War Design teak sideboard supported on black metal legs with 2 pair of doors and 2 pair of drawers (by CEES BRAAKMAN for UMS-Pastoe "Japanese Series"-1958)
DETAILS
Sku:
DLB158
Ships From:
New York, NY
Creator:
Cees Braakman,UMS-Pastoe
DIMENSIONS (INCHES)
Width:
89.0"
Height:
28.8"
Depth :
17.8"
INFO
Style:
Contemporary/Post-War Design
Materials & Techniques:
Metal, teak
Category:
Cabinets & Case Goods, Dining Room
Condition:
Small watermark on top of piece, very light.
About Cees Braakman
Cees Braakman (1917-1995) was a Dutch furniture designer and artist known for his innovative contributions to the field of furniture and decorative arts. He played a significant role in shaping the modernist movement and is considered one of the most influential designers of the 20th century.
Born on August 11, 1917, in Utrecht, Netherlands, Braakman showed an early interest in art and design. He studied at the Royal Academy of Art in The Hague, where he honed his skills in furniture design and craftsmanship. After completing his studies, he joined the renowned Dutch furniture manufacturer Pastoe in 1937.
Braakman's collaboration with Pastoe proved to be a turning point in his career. He quickly rose through the ranks and became the company's chief designer in Read Full Bio
Cees Braakman (1917-1995) was a Dutch furniture designer and artist known for his innovative contributions to the field of furniture and decorative arts. He played a significant role in shaping the modernist movement and is considered one of the most influential designers of the 20th century.
Born on August 11, 1917, in Utrecht, Netherlands, Braakman showed an early interest in art and design. He studied at the Royal Academy of Art in The Hague, where he honed his skills in furniture design and craftsmanship. After completing his studies, he joined the renowned Dutch furniture manufacturer Pastoe in 1937.
Braakman's collaboration with Pastoe proved to be a turning point in his career. He quickly rose through the ranks and became the company's chief designer in 1945. Under his leadership, Pastoe experienced a period of remarkable growth and success. Braakman's designs were characterized by their clean lines, functionalism, and innovative use of materials.
During the 1950s and 1960s, Braakman's designs embraced the principles of the International Style, which emphasized simplicity, functionality, and mass production. His furniture pieces often featured sleek, minimalist aesthetics and employed materials such as plywood, steel, and plastic. Braakman's designs were not only visually appealing but also highly practical, catering to the needs of modern living.
One of Braakman's most iconic creations was the "Japanese Series," which he designed in collaboration with Japanese designer Toshiyuki Kita. This series, introduced in 1954, showcased Braakman's ability to seamlessly blend Eastern and Western design influences. The Japanese Series featured low-profile furniture with clean lines, minimal ornamentation, and a harmonious balance between form and function.
In addition to his work at Pastoe, Braakman also collaborated with other notable furniture manufacturers, including UMS Pastoe and Fristho. His designs gained international recognition and were exhibited in prestigious venues such as the Milan Triennale and the Stedelijk Museum in Amsterdam.
Braakman's contributions to the field of furniture design extended beyond his own creations. As an influential figure in the Dutch design community, he also played a pivotal role in nurturing young talent and promoting the modernist movement. Through his teaching positions at the Royal Academy of Art in The Hague and the Gerrit Rietveld Academie, Braakman mentored aspiring designers and shared his knowledge and
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