French Victorian Tubular Tete-a-tete

French Victorian style tubular upholstered conversation seat/tete-a-tete (by YVES MARTHELOT circa 1980s) (small tears to fabric) (sold AS IS)
SKU
014924
Item Location
New York, NY
Dimensions (in)
Width: 54.00"
Depth: 24.00"
Height: 33.00"
Seat Height: 15.00"
Style
French
Victorian
Color
Brown, Beige, Green
Category
Furniture
Seating
Loveseats/Sofas
Materials & Techniques
fabric, upholstered
Condition
Shows wear and tear.
$18,500 (USD)
In Stock
Quantity:1
SEE IN PERSON
location

Newel Warehouse

32-00 Skillman Ave

Long Island City NY - 11101

phone(212) 758-1970

French Victorian Tubular Tete-a-tete

French Victorian style tubular upholstered conversation seat/tete-a-tete (by YVES MARTHELOT circa 1980s) (small tears to fabric) (sold AS IS)
In Stock
$18,500
Quantity:1
SEE IN PERSON
location

Newel Warehouse

32-00 Skillman Ave

Long Island City NY - 11101

phone(212) 758-1970
SKU
014924
Item Location
New York, NY
Dimensions (in)
Width:
54.0"
Depth:
24.0"
Seat/Height:
15.0"
Height:
33.0"
Style
French
Category
Furniture
Seating
Loveseats/Sofas
Color
Brown, Beige, Green
Materials & Techniques
fabric, upholstered

Victorian

Period in English furniture during the reign of Queen Victoria 1837-1901. Consists of a resurrection of many previous periods and revival imitations including: Gothic, Tudor, Elizabethan, Rococo, and Neoclassic style. This period had a focus on dark woods, heavy fabrics, embellishment, engagement with newly developed imitation materials that were facilitated by the Industrial Revolution, and a tendency towards eclecticism.

Tête-à-tête

A tête-à-tête is an eye-catching piece of French furniture that emerged in the 19th century. The tete-a-tete is an S-shaped chair meant to sit two people facing in opposite directions. The name tete-a-tete is a French term literally meaning "head-to-head”. This type of seating is commonly referred to as a conversation seat or a kissing seat and was designed to enhance conversations and relationships between people. The tete-a-tete was popular during the Victorian period and was considered an opulent piece of furniture.

Victorian

Period in English furniture during the reign of Queen Victoria 1837-1901. Consists of a resurrection of many previous periods and revival imitations including: Gothic, Tudor, Elizabethan, Rococo, and Neoclassic style. This period had a focus on dark woods, heavy fabrics, embellishment, engagement with newly developed imitation materials that were facilitated by the Industrial Revolution, and a tendency towards eclecticism.

Tête-à-tête

A tête-à-tête is an eye-catching piece of French furniture that emerged in the 19th century. The tete-a-tete is an S-shaped chair meant to sit two people facing in opposite directions. The name tete-a-tete is a French term literally meaning "head-to-head”. This type of seating is commonly referred to as a conversation seat or a kissing seat and was designed to enhance conversations and relationships between people. The tete-a-tete was popular during the Victorian period and was considered an opulent piece of furniture.

Victorian

Period in English furniture during the reign of Queen Victoria 1837-1901. Consists of a resurrection of many previous periods and revival imitations including: Gothic, Tudor, Elizabethan, Rococo, and Neoclassic style. This period had a focus on dark woods, heavy fabrics, embellishment, engagement with newly developed imitation materials that were facilitated by the Industrial Revolution, and a tendency towards eclecticism.

Tête-à-tête

A tête-à-tête is an eye-catching piece of French furniture that emerged in the 19th century. The tete-a-tete is an S-shaped chair meant to sit two people facing in opposite directions. The name tete-a-tete is a French term literally meaning "head-to-head”. This type of seating is commonly referred to as a conversation seat or a kissing seat and was designed to enhance conversations and relationships between people. The tete-a-tete was popular during the Victorian period and was considered an opulent piece of furniture.

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