Continental Marble and Gilt Eagle Console Table

Italian Empire late 18th Century / early 19th Century console table with a variegated marble slab and gilt caved acanthus leaves wooden top supported on a gilt carved base depicting an eagle with outspread wings seated on an ebonized platform.
SKU
044735A
Item Location
New York, NY
Dimensions (in)
Width: 61.50"
Depth: 30.25"
Height: 39.00"
Style
Italian
Neo-classic
Color
Gold
Category
Furniture
Tables, Dining Room
Console/Wall Tables, Sideboards and Buffets
Materials & Techniques
carved, gilt / giltwood, marble
$225,000 (USD)
In Stock
Quantity:1
SEE IN PERSON
location

Newel Warehouse

32-00 Skillman Ave

Long Island City NY - 11101

phone(212) 758-1970

Continental Marble and Gilt Eagle Console Table

Italian Empire late 18th Century / early 19th Century console table with a variegated marble slab and gilt caved acanthus leaves wooden top supported on a gilt carved base depicting an eagle with outspread wings seated on an ebonized platform.
In Stock
$225,000
Quantity:1
SEE IN PERSON
location

Newel Warehouse

32-00 Skillman Ave

Long Island City NY - 11101

phone(212) 758-1970
SKU
044735A
Item Location
New York, NY
Dimensions (in)
Width:
61.5"
Depth:
30.3"
Height:
39.0"
Style
Italian
Category
Furniture
Tables, Dining Room
Console/Wall Tables, Sideboards and Buffets
Finish
Gilt / giltwood
Color
Gold
Materials & Techniques
carved, gilt / giltwood, marble

Neo-classic

Neo-classic refers to the second revival of classic design for interior decoration in the 18th century. This style was inspired by excavations of Pompeii and Herculaneum that begun in 1738. Common motifs include dolphins, lyres, and urns.

Acanthus

Acanthus, also called Bear’s Breeches, is a stylized leaf that is native to the Mediterranean. The acanthus leaf motif was first used in classic Greek and Roman architecture, specifically in the design of Corinthian columns and pillars. Today, the acanthus symbolizes longevity and immortality of the soul.

Empire

A period of design during the reign of Napoleon I. It was most prevalent between 1800 and the late 1820s. It was considered the second wave of neoclassicism and marked a return to ostentatious design, a departure from the more conservative Directoire period that directly preceded it. It was intended to idealize the majesty of the French state and Napoleonic rule. Mahogany was the most popular wood during the period, and brass ornamentation and dark marbles were in vogue. Greek, Roman, and Egyptian motifs were also widely used. The style spread throughout Europe and appeared in America in some of Duncan Phyfe's work.

Console table

Starting in the 17th Century, console tables were side table usually fixed to a wall with front legs for support. Frequently the backside of consoles are left undecorated as they are viewed only from the front or sides and were created with the intent of display, often serving as pier table underneath a large mirror. Contemporary references to console tables can also indicate a freestanding relatively tall, rectangular table that is placed against a entrance wall or sofa.

Neo-classic

Neo-classic refers to the second revival of classic design for interior decoration in the 18th century. This style was inspired by excavations of Pompeii and Herculaneum that begun in 1738. Common motifs include dolphins, lyres, and urns.

Acanthus

Acanthus, also called Bear’s Breeches, is a stylized leaf that is native to the Mediterranean. The acanthus leaf motif was first used in classic Greek and Roman architecture, specifically in the design of Corinthian columns and pillars. Today, the acanthus symbolizes longevity and immortality of the soul.

Empire

A period of design during the reign of Napoleon I. It was most prevalent between 1800 and the late 1820s. It was considered the second wave of neoclassicism and marked a return to ostentatious design, a departure from the more conservative Directoire period that directly preceded it. It was intended to idealize the majesty of the French state and Napoleonic rule. Mahogany was the most popular wood during the period, and brass ornamentation and dark marbles were in vogue. Greek, Roman, and Egyptian motifs were also widely used. The style spread throughout Europe and appeared in America in some of Duncan Phyfe's work.

Console table

Starting in the 17th Century, console tables were side table usually fixed to a wall with front legs for support. Frequently the backside of consoles are left undecorated as they are viewed only from the front or sides and were created with the intent of display, often serving as pier table underneath a large mirror. Contemporary references to console tables can also indicate a freestanding relatively tall, rectangular table that is placed against a entrance wall or sofa.

Neo-classic

Neo-classic refers to the second revival of classic design for interior decoration in the 18th century. This style was inspired by excavations of Pompeii and Herculaneum that begun in 1738. Common motifs include dolphins, lyres, and urns.

Acanthus

Acanthus, also called Bear’s Breeches, is a stylized leaf that is native to the Mediterranean. The acanthus leaf motif was first used in classic Greek and Roman architecture, specifically in the design of Corinthian columns and pillars. Today, the acanthus symbolizes longevity and immortality of the soul.

Empire

A period of design during the reign of Napoleon I. It was most prevalent between 1800 and the late 1820s. It was considered the second wave of neoclassicism and marked a return to ostentatious design, a departure from the more conservative Directoire period that directly preceded it. It was intended to idealize the majesty of the French state and Napoleonic rule. Mahogany was the most popular wood during the period, and brass ornamentation and dark marbles were in vogue. Greek, Roman, and Egyptian motifs were also widely used. The style spread throughout Europe and appeared in America in some of Duncan Phyfe's work.

Console table

Starting in the 17th Century, console tables were side table usually fixed to a wall with front legs for support. Frequently the backside of consoles are left undecorated as they are viewed only from the front or sides and were created with the intent of display, often serving as pier table underneath a large mirror. Contemporary references to console tables can also indicate a freestanding relatively tall, rectangular table that is placed against a entrance wall or sofa.

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